Module 2: Genre Conventions and O Henry's "The Last Leaf"
In this module we're going to examine a key concept in college writing: understanding genre conventions. Whenever we write something, we are (almost) always writing for an audience that has certain expectations. For instance, a writer could accurately depict an event in two totally different ways, yet keep faithful to what happened in that event. Case in point: You go to a really fun party. You might send a text to your best friend. You might tweet about it. You might post an Insta. You might make a FaceBook post (no, only old people use FaceBook). You might write a snap. You might write a standard email message. You might write a postcard. You might write a traditional, old-fashioned letter. All of these different formats bring with them their own "rules" or expectations. These are called genre conventions.
In this next essay (draft due Sept 21, final due Sept 23), write about how these different versions of O. Henry's short story, "The Last Leaf" operate. They all tell the same basic story, but they do it in wildly different ways. Which version do you prefer? Why? Is the original always the best? Do adaptations always lose something? Or do they add relevance to contemporary culture? The questions above are suggestions to get you started; they are not a list of questions you must answer. Find your own angle of approach.

Questions? As always: csmith@dcad.edu
Here's an article about Genre Conventions to get us started.
Links Below to 15 Versions of "The Last Leaf"
First Appearance, 1906, page 198
Tom Waits & Keith Richards Version
I did not include a link to the version by heavy-metal band, Monolord. Curious students can easily find it with a Google search, but it's too disturbing for general consumption.
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